After it didn't make the final cut of that LP, Led Zeppelin revived "The Rover" for Graffiti with some remixing and fresh overdubs. Page and Plant recorded a hilariously sloppy acoustic demo at Headley Grange in 1973, but they reconstructed the tune into its greasy electric arrangement during the Houses of the Holy sessions (alongside "Black Country Woman" and "D'yer Maker"). "The Rover" is a fitting title for this bruising blues-rocker, which took time rounding into shape. Led Zeppelin never played this one live, unless you count the informal, partial reunion - staged one decade after Bonham's death - at the 1990 wedding of the late drummer's son Jason. Some songs are finished, some songs aren't. "Hindsight is a cussed bedfellow, but it's great to fly in the face of it all and meld something tangible, a kind of union between the intent of the much and some sort of vocal release. "On 'Wanton Song' and 'Custard Pie,' there are things that I can hear that are almost unfinished," he admitted in the 2018 book Led Zeppelin by Led Zeppelin. But looking back, Plant was never fully satisfied with the track. The singer even throws in a harmonica solo, rounding off a classic full-band showcase. Robert Plant cranks up the sexual bravado and bluesy swagger to the max on Physical Graffiti's opener, barking out cheap innuendo over Page's tightly coiled riff, John Bonham's booming drums and John Paul Jones' funky Clavinet-and-bass combo. Let's explore them all in this track-by-track guide to Physical Graffiti. The only problem? They had enough material for three sides of music but not a fourth - so to flesh out a second disc, the band raided its archives, rounding out the track listing with unused material that pushed the Zeppelin sound even further away from its trademark hard rock. "It was like a voyage of discovery, a topographical adventure.” From the string-assisted splendor of "Kashmir" to the ribald funk of "Trampled Under Foot," they weren't just tiptoeing into new territory - they were reveling in it. “All of us knew that it was a monumental piece of work, just because of the various paths that we’d trodden along to get to this," the guitarist recalled. And they wound up tracking eight new songs, the foundation of the most freewheeling, sonically fascinating album in their catalog. After several months off, the refueled Zeppelin restarted the sessions. "I was basically musically salivating on the way there," Page told Rolling Stonein 2015.
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